Back in August 1971, CIB contacted several commercial radio stations in the US and other countries in order to better formulate its proposals to the UK government for the introduction of commercial radio on the UK mainland. CIB received several positive replies, including airchecks from WBZ in Boston Mass., WFIL in Philadelphia, WBAP in Dallas/Fort Worth, Radio Tarawa in the Gilbert & Ellice Islands and 2UE in Sydney Australia, to name a few.
CIB also received an aircheck tape from Ken Goldblatt, the Station Manager at WAOK in Atlanta GA – one of the very first U.S. radio stations to adopt an all R&B/Soul music format in 1956, thanks to DJ and part-owner, Zenus “Daddy” Sears.
This WAOK aircheck tape was a bit special for several reasons…
Zenas Sears (1914-1988) began his career as a disc jockey following his exposure to black music serving in the US Armed Forces Radio during World War II. When war ended in 1945, he worked at Atlanta GA radio WATL, pioneering African-American popular music broadcasting and in 1948 moved to radio WGST, where his show “The Blues Caravan” aired nightly.
In 1956 he became joint owner of radio WATL, changing the call-letters to WAOK and successfully pioneering the format to African-American popular music – Blues, Rhythm & Blues and Soul music. Zenas Sears also promoted and arranged live performances, featuring artists like Tommy Brown, Billy Wright, Chuck Willis and Little Richard. Zenas Sears and WAOK were also responsible for the 1959 live recording of the best-selling album “Ray Charles in Person“. Last but not least, Sears was also an important supporter of the American civil rights movement.
In 1985 WAOK radio was sold and today it’s a News & Talk station.
So what about this 8 hour WAOK tape recording? …
Well, compared with other radio stations that sent us studio quality tapes recorded at 15 or 7-1/2 inches per second (ips), the tape from WAOK was recorded at only 1-7/8 ips – a low speed usually used only for speech recordings – on 4 tracks, so the sound quality is very poor … judge for yourself with this short extract
But if this WAOK tape lacks quality, it easily wins out on q-u-a-n-t-i-t-y, because the tape contains 8 complete, unedited hours of programming … all made on just one day …
So this memorable tape is like a day in the life of radio 1380 WAOK Atlanta … all recorded on Wednesday, 28th July 1971 and stretching into the early morning hours of the next day … here is the detailed program list as supplied by WAOK’s Ken Goldblatt.
Remastering & Digitizing …
Not having the know-how myself about how to rescue the recording quality, I asked my sound engineer and DJ friend in England, John Ker, for help. John, better known to many as John Harding from offshore pirate Radio Atlantis, achieved an excellent result – Thanks John … and returned the tape to me, complete with 8 CD discs.
John says: “The tape quality is low, not Scotch brand although it is on a Scotch spool … the recording is at a low level on the tape causing the signal-to-noise ratio to be very low. The noise made the audio sound blurred. Initially I edited out clicks which were at a very high level compared to the programme material. Using Sound Forge I then sampled a fingerprint of what needed to be removed (in this case background hiss) taken from a short (less than a second) gap between commercials. Once the hiss was removed, a boost to the treble and then as they say in France “Voila”.”
I’m now in the process of uploading the contents of all 8 CDs so everyone can enjoy and re-live again the sound of Soul Music 1380 WAOK as it was back in July 1971.
Here are the details of these 8 CDs with links so you can listen online now …
Wednesday, 28th July 1971 …
Disc #1 07.00-08.00 hrs. “Wake Up Atlanta” with Burke Johnson standing in for Bob McKee.
Disc #2 11.00-12.00 hrs. The Jerry Thompson Show.
Disc #3 15.00-16.00 hrs. The Larry Tinsley Show.
Disc #4 16.00-17.00 hrs. The Duane Jones Show.
Disc #5 19.00-20.00 hrs. The Duane Jones Show.
Disc #6 20.00-21.00 hrs. The Doug Steele Show.
Disc #7 21.00-22.00 hrs. The Doug Steele Show.
Thursday, 29th July 1971 …
Disc #8 01.00-02.00 hrs. The Dream Girl (Zilla Mays).
And finally, here’s the answer to the question:
“How did Zenas Sears gain the “Daddy” nickname?”
Well, the story goes that one evening, Sears was on the air at WGST, when a local hospital called to inform him that his wife had gone into labor.
Sears rushed off to the hospital with a disc still playing on the turntable. After it finished, all the listeners heard was the repetitive sound of a needle in an empty record groove for the rest of the night.
When word got around that Zenas Sears had abandoned his show to witness the birth of his twin baby boys, his Atlanta audience began calling him “Big Daddy” – later shortened to just “Daddy”.