Do you remember a song called: Who Do You Think You Are Kidding Mr Wilson?
How good is your memory?
Well, here’s a hint… we need to go back more than 40 years…
Back in 1970 there was no Internet, no music streaming, no music downloads and if you were living in Britain and wanted music on the radio there was only 1 station: BBC Radio One. And because of union restrictions known as “needle time” even monopoly Radio One didn’t play music all the time. OK, there was also evenings-only 208 Radio Luxembourg if you were happy to put up with music fading in and out.
And millions of British people at the time were very, very hungry for more music as they had already proven after the huge success of the offshore radio stations like 266 Radio London, 259 Radio Caroline, Radio 390 and several others, all of which the then Labour government had decided to outlaw 3 years earlier in 1967.
Mr Harold Wilson’s Labour government was dogmatically opposed to any form of commercial radio but was in for a surprise when a new radio ship called Radio Northsea International (RNI) appeared in international waters off the coast of Clacton, Essex in March 1970.
His government’s reaction was to start jamming RNI’s programmes in April 1970 in an unprecedented attempt to prevent British listeners hearing its output. RNI responded with pro-Conservative political messages for the general election on 18 June 1970.
Some weeks earlier, RNI’s programme director, Larry Tremaine, had had the bright idea of recording an alternative version of the signature tune to the popular BBC-TV comedy series “Dad’s Army” as a sort of campaign song.
The lyrics were changed, the title became: “Who Do You Think You’re Kidding Mr. Wilson?” and the song was recorded at IBC recording studios at Portland Place, London — a lucky coincidence for UK commercial radio because IBC had been the company, owned by the legendary Leonard Plugge, which organised the very popular English language commercial radio programmes from Radio Normandy way back in the 1930’s.
RNI changed its name to “Radio Caroline International” during the week of the June 1970 election and repeatedly played “Who Do You Think You’re Kidding Mr. Wilson?” which was very popular. But it was never actually issued to the public as a vinyl record.
So exactly how many acetates of the recording were made?
RNI’s programme director, Larry Tremaine has said that “major rock stars” were in the studio during the recording and he also says that only three (3) acetate record pressings of the song were made and he has one of them.
The other two copies were sent to the m/v Mebo II for playing over the air during the election campaign and one of those copies was kept by RNI DJ Alan West, who, some months later, offered it for sale.
In about 1971 Alan West attended several CIB committee meetings, at one of which he lent his acetate copy to CIB’s John Ker, who now takes up the story:
“… I met DJ Alan West who would often come to CIB meetings. In about early 1971 he lent me his copy of the acetate which I took to Graham Bunce (BBC engineer) and he transcribed the disc to tape. He took a great deal of care to ensure a really good quality transfer to tape (15 ips. filtered and re-equalized using an “Astronic” graphic equalizer). Having returned the original acetate to Alan West, I took the tape to IBC Studios (in the basement of 35, Portland Place – just opposite Broadcasting House) and had five (5) acetates cut. I was very pleased by the fact that they were recorded onto exactly the same acetate blanks as the original at IBC, i.e. near perfect clones. The only differences were that the group “The Opposition” was typed on these blanks whereas on the original “The Opposition” was hand-written and included mention of “Beacon Records”.”
According to DJ Alan West, Beacon Records was, at the time, R.N.I.’s “secret London address”.
Of those 5 acetate pressings, John Ker says he kept one for himself, he gave one to Graham Bunce and two to CIB’s Fred Bunzl. John Ker cannot now remember who had the fifth pressing!
Fred Bunzl kept his two acetate discs together with his record collection until they were all packed away into cartons when his wife and he emigrated from the UK in 1976. He didn’t give them much thought until recently when he was compiling old CIB documents for publication elsewhere on this web site.
And here is a scan of what may be one of the original acetate pressings.
Asked what he intends doing with these two rare copies of “Who Do You Think You Are Kidding Mr Wilson”, Fred said: “I haven’t yet decided. If there’s enough interest I’d like to auction them off and give all the proceeds to charity.”
Download the audio of this rare acetate pressing here.
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